36 photographs and 12 diagrams |
Four Smears: 1968/2010 |
Surface Dis/Tension (Recursive) |
I'm interested in his use of repetition and photography. Pushing the large lino pieces a little further, I decided to reprint them, on top of each other, but waiting for each layer to dry. Printed the first block four times to get four multiple coloured prints.
first block inked up in yellow |
all four prints, first layer, in drying rack |
second layer added |
third colour added |
fourth/final colour |
fourth/final colour with more extender |
OK Seeing the Mel Bochner and seeing yours - i know what I'm missing.
ReplyDeleteMeaning!
Don't be tentative about this anymore. Andrew's studio is about about multivalence. Do you see the multivalence in the Bochner? I do, immediately.
Start thinking about what it is you're after in all this process of impression, its narrative, its repetition. What are you after, exactly? All your remarks about results being "no good". What's that about, really?
I keep thinking you wish to stumble on a great image, a bit like sifting/selecting for photographs from lots of contact sheets. Is that the right strategy?